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PloS One 2023We provide evidence that the roughness of chords-a psychoacoustic property resulting from unresolved frequency components-is associated with perceived musical stability...
We provide evidence that the roughness of chords-a psychoacoustic property resulting from unresolved frequency components-is associated with perceived musical stability (operationalized as finishedness) in participants with differing levels and types of exposure to Western or Western-like music. Three groups of participants were tested in a remote cloud forest region of Papua New Guinea (PNG), and two groups in Sydney, Australia (musicians and non-musicians). Unlike prominent prior studies of consonance/dissonance across cultures, we framed the concept of consonance as stability rather than as pleasantness. We find a negative relationship between roughness and musical stability in every group including the PNG community with minimal experience of musical harmony. The effect of roughness is stronger for the Sydney participants, particularly musicians. We find an effect of harmonicity-a psychoacoustic property resulting from chords having a spectral structure resembling a single pitched tone (such as produced by human vowel sounds)-only in the Sydney musician group, which indicates this feature's effect is mediated via a culture-dependent mechanism. In sum, these results underline the importance of both universal and cultural mechanisms in music cognition, and they suggest powerful implications for understanding the origin of pitch structures in Western tonal music as well as on possibilities for new musical forms that align with humans' perceptual and cognitive biases. They also highlight the importance of how consonance/dissonance is operationalized and explained to participants-particularly those with minimal prior exposure to musical harmony.
Topics: Humans; Music; Australia; Cognition; Drama; Niacinamide
PubMed: 37729156
DOI: 10.1371/journal.pone.0291642 -
PeerJ 2023Most studies on pitch shift provoked by hearing loss have been conducted using pure tones. However, many sounds encountered in everyday life are harmonic complex tones....
BACKGROUND
Most studies on pitch shift provoked by hearing loss have been conducted using pure tones. However, many sounds encountered in everyday life are harmonic complex tones. In the present study, psychoacoustic experiments using complex tones were performed on healthy participants, and the possible mechanisms that cause pitch shift due to hearing loss are discussed.
METHODS
Two experiments were performed in this study. In experiment 1, two tones were presented, and the participants were asked to select the tone that was higher in pitch. Partials with frequencies less than 250, 500, 750, or 1,000 Hz were eliminated from the harmonic complex tones and used as test tones to simulate low-tone hearing loss. Each tone pair was constructed such that the tone with a lower fundamental frequency (F0) was higher in terms of the frequency of the lowest partial. Furthermore, partials whose frequencies were greater than 1,300 or 1,600 Hz were also eliminated from these test tones to simulate high-tone hearing loss or modified sounds that patients may hear in everyday life. When a tone with a lower F0 was perceived as higher in pitch, it was considered a pitch shift from the expected tone. In experiment 2, tonal sequences were constructed to create a passage of the song "Lightly Row." Similar to experiment 1, partials of harmonic complex tones were eliminated from the tones. After listening to these tonal sequences, the participants were asked if the sequences sounded correct based on the melody or off-key.
RESULTS
The results showed that pitch shifts and the melody sound off-key when lower partials are eliminated from complex tones, especially when a greater number of high-frequency components are eliminated.
CONCLUSION
Considering that these experiments were performed on healthy participants, the results suggest that the pitch shifts from the expected tone when patients with hearing loss hear certain complex tones, regardless of the underlying etiology of the hearing loss.
Topics: Humans; Hearing Loss; Deafness; Hearing; Computer Simulation; Niacinamide
PubMed: 37727688
DOI: 10.7717/peerj.16053 -
The Journal of the Acoustical Society... Sep 2023Both dynamic variation of interaural time difference (ITD) and static spectral cues provide information for front-back discrimination and vertical localization. However,...
Both dynamic variation of interaural time difference (ITD) and static spectral cues provide information for front-back discrimination and vertical localization. However, the contributions of the two cues are still unclear. The static spectral cue has conventionally been regarded as the dominant one. In the present work, psychoacoustic experiments were conducted to examine the contribution of dynamic ITD and static spectral cues to vertical localization in the median plane. By modifying the head-related transfer functions used in a dynamic virtual auditory display, binaural signals with conflicting dynamic ITD and spectral cues that were either static or dynamically modified according to instantaneous head position were created. The results indicated that the dynamic ITD and static spectral cues contribute to vertical localization at low and high frequencies, respectively. For full a bandwidth stimulus, conflicting dynamic ITD and static spectral cues usually result in two separated virtual sources at different elevations corresponding to the spatial information conveyed by the low- and high-frequency bands, respectively. In most cases, no fused localization occurs in the high-level cognition system. Therefore, dynamic ITD and static spectral cues contribute to vertical localization at different frequency ranges, and neither of them dominates vertical localization in the case of wideband stimuli.
Topics: Cues; Cognition; Psychoacoustics; Sound Localization
PubMed: 37721403
DOI: 10.1121/10.0020909 -
Computers in Human Behavior Sep 2023The acquisition of advanced gestures is a challenge in various domains of proficient sensorimotor performance. For example, orchestral violinists must move in sync with...
The acquisition of advanced gestures is a challenge in various domains of proficient sensorimotor performance. For example, orchestral violinists must move in sync with the lead violinist's gestures. To help train these gestures, an educational music play-back system was developed using a HoloLens 2 simulated AR environment and an avatar representation of the lead violinist. This study aimed to investigate the impact of using a 2D or 3D representation of the lead violinist's avatar on students' learning experience in the AR environment. To assess the learning outcome, the study employed a longitudinal experiment design, in which eleven participants practiced two pieces of music in four trials, evenly spaced over a month. Participants were asked to mimic the avatar's gestures as closely as possible when it came to using the bow, including bowing, articulations, and dynamics. The study compared the similarities between the avatar's gestures and those of the participants at the biomechanical level, using motion capture measurements, as well as the smoothness of the participants' movements. Additionally, presence and perceived difficulty were assessed using questionnaires. The results suggest that using a 3D representation of the avatar leads to better gesture resemblance and a higher experience of presence compared to a 2D representation. The 2D representation, however, showed a learning effect, but this was not observed in the 3D condition. The findings suggest that the 3D condition benefits from stereoscopic information that enhances spatial cognition, making it more effective in relation to sensorimotor performance. Overall, the 3D condition had a greater impact on performance than on learning. This work concludes with recommendations for future efforts directed towards AR-based advanced gesture training to address the challenges related to measurement methodology and participants' feedback on the AR application.
PubMed: 37663430
DOI: 10.1016/j.chb.2023.107810 -
Disability and Rehabilitation Aug 2023Cerebellar impairment (CI) manifests from different etiologies resulting in a heterogenic clinical presentation affecting walking and mobility. Case-reports were... (Review)
Review
Assessment and tailored physical rehabilitation approaches in persons with cerebellar impairments targeting mobility and walking according to the International Classification of Functioning: a systematic review of case-reports and case-series.
PURPOSE
Cerebellar impairment (CI) manifests from different etiologies resulting in a heterogenic clinical presentation affecting walking and mobility. Case-reports were reviewed to provide an analytical clinical picture of persons with CI (PwCI) to differentiate cerebellar and non-cerebellar impairments and to identify interventions and assessments used to quantify impact on walking and mobility according to the International Classification of Functioning, Disability and Health (ICF).
MATERIALS AND METHODS
Literature was searched in PubMed, Web Of Science and Scopus. Case-reports conducting physical rehabilitation and reporting at least one outcome measure of ataxia, gait pattern, walking or mobility were included.
RESULTS
28 articles with a total of 38 different patients were included. Etiologies were clustered to: spinocerebellar degenerations, traumatic brain injuries, cerebellar tumors, stroke and miscellaneous. The interventions applied were activity-based, including gait and balance training. Participation based activities such as tai chi, climbing and dance-based therapy had positive outcomes on mobility. Outcomes on body function such as ataxia and gait pattern were only reported in 22% of the patients.
CONCLUSIONS
A comprehensive test battery to encompass the key features of a PwCI on different levels of the ICF is needed to manage heterogeneity. Measures on body function level should be included in interventions.
PubMed: 37639546
DOI: 10.1080/09638288.2023.2248886 -
Brain Sciences Jul 2023Tinnitus is an auditory sensation without external acoustic stimulation or significance, which may be lived as an unpleasant experience and impact the subject's quality...
Tinnitus is an auditory sensation without external acoustic stimulation or significance, which may be lived as an unpleasant experience and impact the subject's quality of life. Tinnitus loudness, which is generally low, bears no relation to distress. Factors other than psychoacoustic (such as psychological factors) are therefore implicated in the way tinnitus is experienced. The aim of this article is to attempt to understand how tinnitus can, like chronic pain, generate a 'crisis' in the process of existence, which may go as far as the collapse of the subject. The main idea put forward in the present article is that tinnitus may be compared to the phenomenon of pain from the point of view of the way it is experienced. Although the analogy between tinnitus and pain has often been made in the literature, it has been limited to a parallel concerning putative physiopathological mechanisms and has never really been explored in depth from the phenomenological point of view. Tinnitus is comparable to pain inasmuch as it is felt, not perceived: it springs up (without intention or exploration), abolishes the distance between the subject and the sensation (there is only a subject and no object), and has nothing to say about the world. Like pain, tinnitus is formless and abnormal and can alter the normal order of the world with maximum intensity. Finally, tinnitus and pain enclose the subject within the limits of the body, which then becomes in excess. Tinnitus may be a source of suffering, which affects not only the body but a person's very existence and, in particular, its deployment in time. Plans are thus abolished, so time is no longer 'secreted', it is enclosed in an eternal present. If the crisis triggered by tinnitus is not resolved, the subject may buckle and collapse (depression) when their resources for resisting are depleted. The path may be long and winding from the moment when tinnitus emerges to when it assaults existence and its eventual integration into a new existential norm where tinnitus is no longer a source of disturbance.
PubMed: 37626486
DOI: 10.3390/brainsci13081129 -
Frontiers in Neurology 2023The recognition of Auditory Processing Disorder (APD) as a distinct clinical condition that impacts hearing capacity and mental health has gained attention. Although... (Review)
Review
The recognition of Auditory Processing Disorder (APD) as a distinct clinical condition that impacts hearing capacity and mental health has gained attention. Although pure tone audiometry is the gold standard for assessing hearing, it inadequately reflects everyday hearing abilities, especially in challenging acoustic environments. Deficits in speech perception in noise, a key aspect of APD, have been linked to an increased risk of dementia. The World Health Organization emphasizes the need for evaluating central auditory function in cases of mild hearing loss and normal audiometry results. Specific questionnaires play a crucial role in documenting and quantifying the difficulties faced by individuals with APD. Validated questionnaires such as the Children's Auditory Processing Performance Scale, the Fisher's Auditory Problems Checklist, and the Auditory Processing Domains Questionnaire are available for children, while questionnaires for adults include items related to auditory functions associated with APD. This systematic review and meta-analysis identified six questionnaires used for screening and evaluating APD with a total of 783 participants across 12 studies. The questionnaires exhibited differences in domains evaluated, scoring methods, and evaluation of listening in quiet and noise. Meta-analysis results demonstrated that individuals with APD consistently exhibited worse scores compared to healthy controls across all questionnaires. Additionally, comparisons with clinical control groups showed varying results. The study highlights (i) the importance of standardized questionnaires in identifying and assessing APD, aiding in its diagnosis and management, and (ii) the need to use sub-scores as well as overall scores of questionnaires to elaborate on specific hearing and listening situations. There is a need to develop more APD specific questionnaires for the adult population as well as for more focused research on APD diagnosed individuals to further establish the validity and reliability of these questionnaires.
PubMed: 37621857
DOI: 10.3389/fneur.2023.1243170 -
The Journal of the Acoustical Society... Aug 2023This study explores the effect of native language and musicality on voice quality cue integration in pitch perception. Previous work by Cui and Kang [(2019). J. Acoust....
This study explores the effect of native language and musicality on voice quality cue integration in pitch perception. Previous work by Cui and Kang [(2019). J. Acoust. Soc. Am. 146(6), 4086-4096] found no differences in pitch perception strategies between English and Mandarin speakers. The present study asks whether Cantonese listeners may perform differently, as Cantonese consists of multiple level tones. Participants completed two experiments: (i) a forced choice pitch classification experiment involving four spectral slope permutations that vary in fo across an 11 step continuum, and (ii) the MBEMA test that quantifies listeners' musicality. Results show that Cantonese speakers do not differ from English and Mandarin speakers in terms of overall categoricity and perceptual shift, that Cantonese speakers do not have advantages in musicality, and that musicality is a significant predictor for participants' pitch perception strategies. Listeners with higher musicality scores tend to rely more on fo cues than voice quality cues compared to listeners with lower musicality. These findings support the notion that voice quality integration in pitch perception is not language specific, and may be a universal psychoacoustic phenomenon at a non-lexical level.
PubMed: 37563829
DOI: 10.1121/10.0020565 -
The Journal of the Acoustical Society... Aug 2023Web-based testing is an appealing option for expanding psychoacoustics research outside laboratory environments due to its simple logistics. For example, research...
Web-based testing is an appealing option for expanding psychoacoustics research outside laboratory environments due to its simple logistics. For example, research participants partake in listening tasks using their own computer and audio hardware and can participate in a comfortable environment of their choice at their own pace. However, it is unknown how deviations from conventional in-lab testing affect data quality, particularly in binaural hearing tasks that traditionally require highly precise audio presentation. Here, we used an online platform to replicate two published in-lab experiments: lateralization to interaural time and level differences (ITD and ILD, experiment I) and dichotic and contralateral unmasking of speech (experiment II) in normal-hearing (NH) young adults. Lateralization data collected online were strikingly similar to in-lab results. Likewise, the amount of unmasking measured online and in-lab differed by less than 1 dB, although online participants demonstrated higher speech reception thresholds overall than those tested in-lab by up to ∼7 dB. Results from online participants who completed a hearing screening versus those who self-reported NH did not differ significantly. We conclude that web-based psychoacoustics testing is a viable option for assessing binaural hearing abilities among young NH adults and discuss important considerations for online study design.
Topics: Young Adult; Humans; Psychoacoustics; Speech Perception; Hearing; Auditory Perception; Internet
PubMed: 37556566
DOI: 10.1121/10.0020567 -
The Journal of the Acoustical Society... Aug 2023In songbirds, singing with precision (vocal consistency) has been proposed to reflect whole-organism performance. Vocal consistency is measured using spectrogram cross...
In songbirds, singing with precision (vocal consistency) has been proposed to reflect whole-organism performance. Vocal consistency is measured using spectrogram cross correlation (SPCC) to assess the acoustic similarity between subsequent renditions of the same note. To quantify how SPCC is sensitive to the acoustic discrepancies found in birdsong, we created a set of 40 000 synthetic sounds that were designed based on the songs of 345 species. This set included 10 000 reference sounds and 30 000 inexact variants with quantified differences in frequency, bandwidth, or duration with respect to the reference sounds. We found that SPCC is sensitive to acoustic discrepancies within the natural range of vocal consistency, supporting the use of this method as a tool to assess vocal consistency in songbirds. Importantly, the sensitivity of SPCC was significantly affected by the bandwidth of sounds. The predictions derived from the analysis of synthetic sounds were then validated using 954 song recordings from 345 species (20 families). Based on psychoacoustic studies from birds and humans, we propose that the sensitivity of SPCC to acoustic discrepancies mirrors a perceptual bias in sound discrimination. Nevertheless, we suggest the tool be used with care, since sound bandwidth varies considerably between singing styles and therefore, SPCC scores may not be comparable.
Topics: Humans; Animals; Vocalization, Animal; Sound; Songbirds; Voice; Acoustics
PubMed: 37550240
DOI: 10.1121/10.0020543